October 2012

Issue by Hunter: Where can I take medieval sword battling lessons?
Is there a place in Tucson, Az I can take lessons in medieval sword preventing types?

Finest response:

Solution by Paul S.
Appear for the Tucson chapter of the Modern society for Creative Anachronism (SCA). They meet each Tuesday night in close proximity to the southwest corner of Reid Park around 22nd and Region Club for fighter’s practice (considering that previous I checked). They will instruct you for totally free as prolonged as you are passionate about it and don’t head sporting the appropriate protecting equipment when you actually argue.

If you want official courses, the closest issue you will get is phase combat at the College of Arizona which is not simple to get into at all even for a theatre key.

Give your answer to this issue under!

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Concern by Ted N: Does any other rich country venerate the ignorant as considerably as the Usa does?
I’ve been to 32 international locations in my daily life, have lived in the Usa, Eire, France, South Korea and Australia and have a excellent basis of comparison, and I know that each country has its percentage of ignorant folks. For instance, in the Gentilly location of Paris where I worked, one could go into a café and find a “Pierre 6 Pack” sitting down at the bar late in the early morning drinking a Kronenbourg, ranting about non Whites, exhibiting his assistance for the Entrance Countrywide and cursing at a Tv set taking part in soccer even though puffing away on a pack of French cigarettes, however, I found that most French people locate this man’s conduct unacceptable while in America we appear to have absent from accepting ignorance to getting satisfaction in it. Good examples include denigrating increased training, maligning men and women who pursue larger schooling, producing folks this sort of as Britney Spears, Lindsay Lohan, the Kardashians and Snooki into celebs and marginalizing essential information in favor of them, marketing Sarah Palin as a excellent political thoughts when there have to be a lot more intelligent conservatives out there (there are, are not there?), currently being happy of not understanding anything at all about an outdoors entire world that has an tremendous influence on the United States economically, reverting to an practically Mediaeval attitude in regards to science……..why is this occurring? Why will not we venerate intellect as a substitute, why aren’t we a lot more supportive of individuals who assistance the arts, get an desire in other societies, find out languages, travel broadly, perform challenging to educate by themselves, maintain expectations for political candidates, talk suitable English, are open up to new tips in science? Why is this occurring? Why is there this sort of an assault on inellect in this nation in our modern period? Why are we happy to be ignorant?
Mr. Yuk, it only requires about 5 minutes for some uneducated poster to show up and explain to you to “enjoy it or depart it” or some variant instead of contemplating about approaches in purchase to boost one’s society. Why do you folks even now exist? Failed to you turn out to be extinct in 1970 or is Archie Bunker a genuine-life character who has several illegitimate youngsters working around? Smart people seem for ways to make their society far better, they do not just look at fleeing as an solution unless it truly is the only 1. Get an training and present some intelligence.
Never have the liberty to put up this in the 32 nations I have visited? Gentleman, you are ignorant. Let’s see:
one. Ireland
two. Britain
3. France
four. Luxembourg
5. Belgium
6. Netherlands
seven. Portugal
eight. Spain
9. Australia
10. New Zealand
11. Italy
twelve. Germany
13. Canada
fourteen. Malta
15. Iceland
16. Japan
17. South Korea

are just a couple of of the countries I have visited that permit their citizens to criticize citizens who are hostile to training and invest far more time glorifying useless celebrities than mastering about the outside world.

As for the other folks, all of people countries offered me with initial-charge Internet entry, even very poor countries.

I never treatment if you have an MBA or a Ph.d., if it will not trouble you that we have a significant proportion of our countrymen who assume that ignorance is appropriate, and do not acknowledge that this will provide our nation down in the lengthy operate, it sounds like you fellas who want the ruination of this nation not us.
Sorry, but recognizing a troubling trend in your nation and wanting to reverse it is patriotric. Seeing a damaging standing quo and getting delight in it (thinking ignornace is “cool”) would reveal a lot more of a hatred for the Usa. Never you want your place to be much more smart and development? Why would you want it to turn into an idiocracy? Only a man or woman who hates The usa would want to see it dumbed down. If you are very pleased that your nation is going downhill, there is some thing wrong with you. Also, if you feel that America is the only place with independence of speech, you are alarmingly uneducated.

Greatest response:

Reply by Romac
Liberal indoctrination of our youngsters is to blame.

Know greater? Leave your own answer in the reviews!

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Is this sword a good wall hanger?

by admin on October 13, 2012

Question by O A: Is this sword a very good wall hanger?
carbon metal, heat tempered:

http://www.trueswords.com/royal-oriental-sword-p-692.html

Finest response:

Response by Phil J
yeah it really is pretty-searching

Give your answer to this question below!

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12 FAKE MOUSTACHES – ASSORTED SHAPES AND SIZES! COSTUME FUN MUSTACHE

12 FAKE MOUSTACHES - ASSORTED SHAPES AND SIZES! COSTUME FUN MUSTACHE

  • 12 – ASSORTED FAKE MOUSTACHES – BRAND NEW – SEALED 12 PER PACK.
  • 2 INCHES – 5 1/2 INCHES – ASSORTED.
  • EASY TO APPLY AND REMOVE
  • NOTE: DUE TO HYGIENE REASONS – NO REFUNDS ON THIS ITEM UNLESS UNOPENED

12 – 2 inch – 5 1/2 inches – Mustache Assortment. Assorted styles. Easy to apply and remove. Each on a printed card. Item is non-returnable, unless unopened. 12 mustaches per sealed package. NOT RECOMMENDED FOR CHILDREN UNDER 3 YEARS OF AGE.

List Price: $ 12.95

Price: $ 1.29

[
Related Halloween Costume Ideas Products

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A few nice renaissance wear images I found:

NYC – Metropolitan Museum of Art – Abduction of the Sabine Women
renaissance wear

Image by wallyg
The Abduction of the Sabine Women
probably 1633-34
Nicolas Poussin (French, 1594-1665)
Oil on canvas; 60 7/8 x 82 5/8 in. (154.6 x 209.9 cm)

Nicolas Poussin produced two major works telling the the story of The Rape of the Sabine Women, an episode in the legendary early history of Rome narrated by Livy and Plutarch (‘Lives’ II, 15 and 19). The other version, produced in 1637-8, now at the Musée du Louvre, shows a more developed architectural setting. This one belonged to the he maréchal de Créquy and seems to date about June 1633 to July 1634, when he was French ambassador to Rome.

The Rape, from the Latin rapere, meaning to grab, or steal (and later translating into sexually assaulting, presumably from the idea of stealing virtue), refers to an even that occured shortly after Rome’s founding by Romulus and a mostly male group of followers. Seeking wives to found families, the Romans negotiated with the neighboring Sabines, who refused to allow their woman to marry Romans for fear of a rival culture. Faced with the extinction of their communicty, Romulus invited the Sabines to a festival of Neptune Equester. At the meeting Romulus raised his cloak as a prearranged signal for the warriors to seize the women. According to Livy no sexual assault took place. On the contrary, Romulus offered them free choice and promised civic and property rights. The women accepted Roman husbands, but the Sabines went to war with the Romans. The conflict was eventually resolved when the women, who now had children by their Roman husbands, intervened in a battle to reconcile the warring parties. During the Renaissance the subject was popular as a story symbolising the central importance of marriage for the continuity of families and cultures.

Poussin depicts Romulus, at the left, giving the signal for the abduction. The mother, her babies, and an old woman in the foreground were captured accidentally in the turmoil. The yellow armor worn by the man at the right is modeled after a Roman "lorica," which was made of leather and reproduced the anatomy of the male torso.

Harris Brisbane Dick Fund, 1946 (46.160)

**

The Metropolitan Museum of Art‘s permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favorite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

NYC – Metropolitan Museum of Art – Abduction of the Sabine Women
renaissance wear

Image by wallyg
The Abduction of the Sabine Women
probably 1633-34
Nicolas Poussin (French, 1594-1665)
Oil on canvas; 60 7/8 x 82 5/8 in. (154.6 x 209.9 cm)

Nicolas Poussin produced two major works telling the the story of The Rape of the Sabine Women, an episode in the legendary early history of Rome narrated by Livy and Plutarch (‘Lives’ II, 15 and 19). The other version, produced in 1637-8, now at the Musée du Louvre, shows a more developed architectural setting. This one belonged to the he maréchal de Créquy and seems to date about June 1633 to July 1634, when he was French ambassador to Rome.

The Rape, from the Latin rapere, meaning to grab, or steal (and later translating into sexually assaulting, presumably from the idea of stealing virtue), refers to an even that occured shortly after Rome’s founding by Romulus and a mostly male group of followers. Seeking wives to found families, the Romans negotiated with the neighboring Sabines, who refused to allow their woman to marry Romans for fear of a rival culture. Faced with the extinction of their communicty, Romulus invited the Sabines to a festival of Neptune Equester. At the meeting Romulus raised his cloak as a prearranged signal for the warriors to seize the women. According to Livy no sexual assault took place. On the contrary, Romulus offered them free choice and promised civic and property rights. The women accepted Roman husbands, but the Sabines went to war with the Romans. The conflict was eventually resolved when the women, who now had children by their Roman husbands, intervened in a battle to reconcile the warring parties. During the Renaissance the subject was popular as a story symbolising the central importance of marriage for the continuity of families and cultures.

Poussin depicts Romulus, at the left, giving the signal for the abduction. The mother, her babies, and an old woman in the foreground were captured accidentally in the turmoil. The yellow armor worn by the man at the right is modeled after a Roman "lorica," which was made of leather and reproduced the anatomy of the male torso.

Harris Brisbane Dick Fund, 1946 (46.160)

**

The Metropolitan Museum of Art‘s permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favorite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

NYC – Metropolitan Museum of Art – Abduction of the Sabine Women
renaissance wear

Image by wallyg
The Abduction of the Sabine Women
probably 1633-34
Nicolas Poussin (French, 1594-1665)
Oil on canvas; 60 7/8 x 82 5/8 in. (154.6 x 209.9 cm)

Nicolas Poussin produced two major works telling the the story of The Rape of the Sabine Women, an episode in the legendary early history of Rome narrated by Livy and Plutarch (‘Lives’ II, 15 and 19). The other version, produced in 1637-8, now at the Musée du Louvre, shows a more developed architectural setting. This one belonged to the he maréchal de Créquy and seems to date about June 1633 to July 1634, when he was French ambassador to Rome.

The Rape, from the Latin rapere, meaning to grab, or steal (and later translating into sexually assaulting, presumably from the idea of stealing virtue), refers to an even that occured shortly after Rome’s founding by Romulus and a mostly male group of followers. Seeking wives to found families, the Romans negotiated with the neighboring Sabines, who refused to allow their woman to marry Romans for fear of a rival culture. Faced with the extinction of their communicty, Romulus invited the Sabines to a festival of Neptune Equester. At the meeting Romulus raised his cloak as a prearranged signal for the warriors to seize the women. According to Livy no sexual assault took place. On the contrary, Romulus offered them free choice and promised civic and property rights. The women accepted Roman husbands, but the Sabines went to war with the Romans. The conflict was eventually resolved when the women, who now had children by their Roman husbands, intervened in a battle to reconcile the warring parties. During the Renaissance the subject was popular as a story symbolising the central importance of marriage for the continuity of families and cultures.

Poussin depicts Romulus, at the left, giving the signal for the abduction. The mother, her babies, and an old woman in the foreground were captured accidentally in the turmoil. The yellow armor worn by the man at the right is modeled after a Roman "lorica," which was made of leather and reproduced the anatomy of the male torso.

Harris Brisbane Dick Fund, 1946 (46.160)

**

The Metropolitan Museum of Art‘s permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met’s holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met’s purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.

In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America’s Favorite Architecture list.

The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.

National Historic Register #86003556

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