hammer

Great Medieval Hammer photos

by admin on January 14, 2012

Some cool medieval hammer photos:

Church of All Saints – Leamington Spa – Spire – clock
medieval hammer

Picture by ell brown
This is the Church of All Saints in Leamington Spa.

It is Quality II* listed.

All Saints Church, Leamington Spa

Developed in the gothic style in the 19th century, it has been explained as &quotone of the biggest Church of England parish churches, rivaling numerous cathedrals in dimensions.&quot It is situated in the centre of the city, just south of the River Leam in what was the outdated core of the city.

Grade II* listing Church of All Saints, Royal Leamington Spa – British Detailed Properties

Church. 1843-1869, with afterwards additions and alterations and
incorporating north transept wall of 1825. By JG Jackson, of
Leamington, with the vicar, Dr John Craig 1867 south transept
by TC Barry with additions and alterations of 1889, like
chancel screen donated by Sidney Flavel Jr and additional two
west bays of nave and south-west porch and tower of 1892-1902
by Sir A Blomfield. 1986 addition of Urquart Room and Parish
Offices to west end of nave. Ashlar with Welsh slate roof.
Design: French Gothic.
Prepare: 4-phase south-west tower with porch 6-bay nave with
clerestory and aisles, nave has north-west turret 2-bay
transepts, to north transept an entrance, also an east turret
with clock with steeple, and to south transept an entrance
with Galilee porch apsidal chancel with north Girl Chapel and
south Chapel of All Souls.
EXTERIOR: chamfered plinth, moulded band stepped buttresses
to aisles and tower battlements. Tower: west entrance porch
to reduce phase: a plank door in hollow-chamfered,
pointed-arched surround with foliage to spandrels and
architrave with traceried decoration earlier mentioned a 3-light window
to each and every aspect. Second phase: band, 2-light windows. 3rd
stage: band, slits. Fourth phase: band, tall, two-light belfry
openings, band, low parapet with pinnacles with finials to
angles. Nave: to west conclude a tall, five-light window aisles, 2
windows to west have four-centred arches, normally
pointed-arched, 5-light windows. Clerestorys have five-light,
pointed-arched windows. Transepts: rose window to each and every stop,
that to south derived from Church of St Ouen, Rouen, that to
north derived from Rouen Cathedral. To east and south ends of
south chapel are tall, three-light, pointed-arched windows. Apse
has 5 tall three-light windows.
INTERIOR: balcony to west stop. Column clusters to nave and
transepts with treble-chamfered, pointed-arched arcade with
roll-moulding to head. To transepts are four-centred-arched
openings with traceried frieze over, and inside of to north-east
a tall pointed arch with ambigu-chamfered, hollow moulding,
containing organ. Carved reredos dependent on Final Supper. Hammer beam roof. Medieval effigy of an abbot in north porch. Wall
tablets dating back again to 1808. Apse stained glass, 1851, by
Possibility of Birmingham.
HISTORICAL Notice: Bath Street was a major street of the C18
village of Leamington.
All Saints Church types component of a group which consists of
Victoria Bridge, Parade, the Royal Pump Space and Baths, Parade
and Victoria Terrace (qqv).
(The Structures of England: Pevsner N and Wedgwood A:
Warwickshire: Harmondsworth: 1966-1990: 333-4 Cave LF: Royal
Leamington Spa Its Heritage and Development: Chichester: 1988-:
138-140).

Spire on the church with a clock.

Zoom in to the clock deal with.

From Priory Terrace.

Church of All Saints – Leamington Spa – Rose window
medieval hammer

Picture by ell brown
This is the Church of All Saints in Leamington Spa.

It is Quality II* outlined.

All Saints Church, Leamington Spa

Developed in the gothic design in the 19th century, it has been explained as &quotone of the greatest Church of England parish churches, rivaling several cathedrals in dimensions.&quot It is located in the centre of the town, just south of the River Leam in what was the aged core of the city.

Quality II* listing Church of All Saints, Royal Leamington Spa – British Listed Structures

Church. 1843-1869, with afterwards additions and alterations and
incorporating north transept wall of 1825. By JG Jackson, of
Leamington, with the vicar, Dr John Craig 1867 south transept
by TC Barry with additions and alterations of 1889, including
chancel display screen donated by Sidney Flavel Jr and extra 2
west bays of nave and south-west porch and tower of 1892-1902
by Sir A Blomfield. 1986 addition of Urquart Area and Parish
Offices to west finish of nave. Ashlar with Welsh slate roof.
Type: French Gothic.
Program: four-phase south-west tower with porch six-bay nave with
clerestory and aisles, nave has north-west turret two-bay
transepts, to north transept an entrance, also an east turret
with clock with steeple, and to south transept an entrance
with Galilee porch apsidal chancel with north Girl Chapel and
south Chapel of All Souls.
EXTERIOR: chamfered plinth, moulded band stepped buttresses
to aisles and tower battlements. Tower: west entrance porch
to decrease phase: a plank door in hollow-chamfered,
pointed-arched surround with foliage to spandrels and
architrave with traceried decoration earlier mentioned a three-light window
to every aspect. 2nd phase: band, two-light windows. Third
stage: band, slits. Fourth stage: band, tall, two-light belfry
openings, band, lower parapet with pinnacles with finials to
angles. Nave: to west finish a tall, five-light window aisles, two
windows to west have 4-centred arches, in any other case
pointed-arched, five-light windows. Clerestorys have five-light,
pointed-arched windows. Transepts: rose window to every single stop,
that to south derived from Church of St Ouen, Rouen, that to
north derived from Rouen Cathedral. To east and south ends of
south chapel are tall, three-light, pointed-arched windows. Apse
has five tall 3-light windows.
INTERIOR: balcony to west conclude. Column clusters to nave and
transepts with treble-chamfered, pointed-arched arcade with
roll-moulding to head. To transepts are four-centred-arched
openings with traceried frieze earlier mentioned, and inside of to north-east
a tall pointed arch with double-chamfered, hollow moulding,
that contains organ. Carved reredos primarily based on Very last Supper. Hammer beam roof. Medieval effigy of an abbot in north porch. Wall
tablets dating back to 1808. Apse stained glass, 1851, by
Likelihood of Birmingham.
HISTORICAL Be aware: Bath Street was a primary street of the C18
village of Leamington.
All Saints Church kinds portion of a group which includes
Victoria Bridge, Parade, the Royal Pump Area and Baths, Parade
and Victoria Terrace (qqv).
(The Properties of England: Pevsner N and Wedgwood A:
Warwickshire: Harmondsworth: 1966-1990: 333-4 Cave LF: Royal
Leamington Spa Its Historical past and Development: Chichester: 1988-:
138-140).

Rose window on this facet.

The aspect on Priory Terrace, opposite the Publish Business office developing.

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Awesome Medieval Hammer images

by admin on January 8, 2012

A number of great medieval hammer images I discovered:

Malleus Maleficarum
medieval hammer

Picture by George
The Malleus Maleficarum (Latin for “The Hammer of Witches”, or “Hexenhammer” in German) is 1 of the most renowned medieval treatises on witches. It was written in 1486 by Heinrich Kramer and Jacob Sprenger, and was initial printed in Germany in 1487. Its main function was to problem all arguments against the existence of witchcraft and to instruct magistrates on how to recognize, interrogate and convict witches.Resource

Random excerpt:
&quotBut there is no bodily infirmity, not even leprosy or epilepsy, which can not be brought on by witches, with God’s permission. And this is proved by the reality that no sort of infirmity is excepted by the Doctors. For a cautious consideration of what has currently been published concerning the power of devils and the wickedness of witches will demonstrate this statement provides no problems. Nider also bargains with this subject in each his Book of Precepts and in his Formicarius, in which he asks: Whether witches can in fact injure men by their witchcraft. And the problem makes no exception of any infirmity, nonetheless incurable. And he there solutions that they can do so, and proceeds to inquire in what way and by what signifies.&quot

Extra to Open up Library.

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Cool Medieval Hammer images

by admin on January 2, 2012

A number of wonderful medieval hammer photographs I discovered:

Let’s get medieval…
medieval hammer

Picture by John Baichtal
First search at the official LEGO sword at bottom center, then look at the fabulous alternatives from BrickForge: hammers, maces, spears, and a plethora of swords.

Il fioraio matto | Insane Florist
medieval hammer

Picture by de²
Praga, Repubblica Ceca.
Praha, Czech Republic.

Questo fabbro, davanti alle persone, regalava spettacolo modellando, tra incudine e martello, una rosa. E’ il fioraio matto dei giorni nostri.

This smith, in front of individuals, was offering a efficiency, modeling a rose, amongst anvil and hammer. He is the nuts florist of our days.

[Nikon D80 + Nikkor 18-135mm]

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Medieval War Hammer Dropped on Stone Evaluations

by admin on December 20, 2011

Medieval War Hammer Dropped on Stone

List Price tag: $ .ninety nine

Price tag: $ 0.99

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Cool Medieval Hammer photos

by admin on December 14, 2011

Verify out these medieval hammer photos:

United kingdom – Wiltshire – Stonehenge
medieval hammer

Image by wallyg
Stonehenge is a single of the most famous prehistoric websites in the world. Above time, legend and theory has ascribed it every little thing from Merlin the wizard, the Devil, and Aliens to the Romans, Danes and Saxons. The initial academic effort, in 1640 by John Aubrey, credited the Druids and for astronimical or calendrical applications. By the 19th century, archaelogical findings dated it to the Bronze Age and carbon dating has pegged construction of the monument from about 3100 BC to 1600 BC. These datings debunked most of the common theories. Popular opinion now holds that it was most likely developed as either an astronomical observatory or for spiritual rituals linked to the solstices, harvests and/or the lifeless. Its alignments with the sunlight and moon appear also coincidental for there not to be correlation, but it is challenging to fathom primitive man acquiring such a grasp more than science.

The outermost aspect is the Voie, which runs directly down a gentle slope for 530m, consisting of twin financial institutions about 12m apart with internal ditches. It begins at the entrance to the enclosure exactly where the Heel Stone, a huge sub-rectangular upright unworked sarsen stone (with a mini thickness of eight ft, rising to a bluntly pointed leading sixteen ft large) stands. When seen from the centre of the circle, it reveals the path of the midsummer sunrise. Excavations reveal it is buried four feet in the ground and recommend that it could have been one of a pair.

Lying inside of the entrance is a fallen sixteen ft prolonged sarsen stone, recognized as the Slaughter Stone. Arranged around the inner edge of the bank have been initially four little uprights, the Station Stones, of which two are even now visible. Quickly adjacent to the financial institution is a ring of 56 pits, known as the Aubrey Holes, marked by circular concrete spots. Some of these holes held cremated human stays, but none had been employed for posts or stones. The area among the internal edge of the lender and the outermost stone settings consists of at minimum two even more configurations of pits: the Y and Z holes.

The Sarsen Circle, the outermost stone environment, is composed of a steady ring of upright sarsens (17 of the authentic thirty stand), each more than 25 tonnes, with horizontal lintels. The edges are smoothed into a gentle curve which follows the line of the complete circle.

The Blue Stones Cresecent, arranged in a ambigu crescent setting inside of the Sarsen Circle, consisted originally of about 60 stones, of which numerous have fallen, dissolved or been crushed.

The Sarsen Horeshoe, set inside the two circles, is made up of 5 sarsen trilithons, each and every comprising a pair of upright topped by lintel. Despite the fact that now fragmentary, the arrangement exhibits the watchful grading of the 5 trilithons, the tallest of which is 6.7m substantial higher than floor level. Enfolded inside of this enormous horseshoe lies a scaled-down horseshoe arrangement of upright bluestones.

Stonehenge as we know it most likely progressed via many phases. The subsequent is the latest timeline as presented by English Heritage.

Cycle I, c3000BC. The 1st monument was the surving circular earthen bank and ditch (or henge) and Aubrey Holes.

Cycle II, c2900-2400BC: Wooden structures had been extra. Excavations have revealed a challenging pattern of publish holes in the centre of the henge as effectively as at the northeastern and southern entrances. Nothing remains of the posts and small is identified about their seem or purpose. Speculative use incorporates tribal markers or supports for roofed structures.

Cycle III, c2600-1600BC: The final stage, covering a period of one thousand years, is marked by a adjust from building in wooden to creating in stone. About 2600 BC, the blue stones were transported 385km (240 miles) from the Preseli Mountains in South Wales. It is even now unknown what make these stones specific sufficient to warrant the substantial endeavor of transport. In the Early Bronze Age, the sarsens had been transported around 30km (19 miles) from the Marlborough Downs. It was also an amazing process to erect the stones, safe them with each other with sophisticated joints, and shape their tough area with stone hammers. Some of the stones have carvings, seeking like daggers and axes. It is also for the duration of this period that the Avenue was constructed. In the course of this interval, the blue stones had been rearranged at minimum a few instances. It appears as however this stage was left unfinished due to the fact the Y and Z holes ended up well prepared outdoors the circle but never ever utilised.

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