Funny or creative halloween costume tips?

by admin on March 20, 2013

Question by x0x0x: Funny or creative halloween costume ideas?
Funny or creative halloween costume ideas for a teen girl? If i can put parts of it together myself too that’d be good.

Best answer:

Answer by Justine M
this may b from to long ago but i was paris hilton in jail when all that was going on. it was reli funny..simple orange dress (i made one but you could die a white on from summer–dresses are on clearance now!) and orage fishnets (i think i got them at walmart or target) black heels, cute make up, blonde hair, and a sign that said paris hilton, her case number, and the jail. i made a simple bag out of black and white stripped fabric. ohh and a headband and sparkly earings =]

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Question by Keely: Recommendations for how to make medieval weapons for a quality four class undertaking – a flail, protect and sword.?

Finest remedy:

Solution by Monika
Use cardboard!

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Issue by Michael: Medieval: Penetrating a Knights Armour/ weapons Recommendations?
1) Im a tiny baffled, on how weapons these kinds of as the halbred, voulge, and bardiches are successful from the thick armour worn by knights, it just seems unimaginable for a slashing weapon to be ready to pierce that armour, unless they have been attacking the chainmal in specific regions each time, so how had been the winning?

two) I need a polearm that can be used to defeat greatly armored opponents even though maintaining a ‘pikemen’ stance, in a shoulder-shoulder formation. i was possibly considering of a hammer, to concuss the enemy on their head.

Very best reply:

Answer by Devin Fleenor
most of people weapons had been utilized right after the 1500s, at that point, heavy armor wasn’t favored battle atire due to the transition to speedier, a lot more exact swords.
even in overcome ahead of then, most knights would only dress in chain mail, not thick platebody armor suits.

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Platonic Ideas & Idea Formation in Historical & Medieval Believed (Historic & Medieval Philosophy)

One of the central concerns, or in fact the central issue in Plato’s philosophy is the query of how to account for the balance and unity of the seemingly unstable and actually altering planet. How could we attain understanding if there have been no steady object? And how could the planet be what it is, if it have been not grounded on steady concepts? It is typical understanding that Plato answers the two these queries, an epistemological and an ontological a single, by his concept of the Forms. From an epistemologic

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